Footprints, Poems, and Leaves frye publications yet largely devoid of human

yet largely devoid of human presence

public programs

Great for taming bangs and flyaways

literally darkened--and suggests that the concept of going dark is a tool that has been used by artists for decades to probe enduring questions surrounding both the potential and the discontents of social visibility

Footprints, Poems, and Leaves frye publications yet largely devoid of humanby Martin Wong The paintings of Chinese American artist Martin Wong (1946 99) are celebrated for their affecting fusion of social realism, visual language, queerness and racial identity. Footprints, Poems, and Leaves is a facsimile of his first poetry book, self published in 1968. The volume collates dozens of poems written by Wong between 1966 and 1968, a tumultuous period in his life spent at the epicenter of the hippie movement in the Haight