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I reinterpret classical figures
The techniques from this series have evolved to become a staple element and underpin many of my paintings
It feels a bit like a distorted
The work interlinks the familiar with the abstract
Breathline: In Between All Items I reinterpret classical figuresThis work is part of my ongoing Breathlines series. It begins with intuitive charcoal marks and very liquid brushstrokes, where diluted paint is placed in drippy gestures using wide brushes, establishing a rhythm guided by breath and movement. The painting develops through slower layers of brushwork, allowing forms to gradually emerge, merge, and dissolve over time. Saturated colour intensifies and disperses, creating moments of presence within a
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