Frith, Bonnie Erickson Puppet Workshop Coordinators: Amy Van Gilder, Sara Paul, Robert McCormack Puppet Creative Consultant: Frank Oz Production Stage Manager: Chet O'Brien Stage Manager: Niles Goodsite Senior Floor Manager: Richard Holloway Floor Manager: Guy Frazer Jones Set Decorator: Nat Mongioi Graphic Artist: Gerri Brioso Costume Designer: Bill Kellard Administrative Supervisor: Joanne Phillips Administrative Assistant: Susan Vessiny Choreographer: Gillian Lynne Production Supervisor: Frieda Lipp Production Manager: Don Hahn Production Coordinators: Dennis Edwards, Joe Morris, Ron Rocha Production Auditor: Jeff Bush Production Assistants: Diane Mitchell, Mercedes Polanco, Thelma Moses, Danette Morganelli, Lynn Roberge, Stuart Lowery, Richard Grigonis Make-Up: Lee Halls Hairstylist: Karen Specht Wardrobe: Grisha Mynova Engineer in Charge: Mark Schubin Technical Director: Ralph Mensch Video: Bob Haight Vision Mixer: Moyra Bird Color Timing: Phil Hetos, Dale Grahn Production Secretary: Charlene Rogers Production Executives: Edward Hansen, Peter Schneider This film is dedicated to the memory of: Basil Rathbone, Hans Conried, Nigel Bruce Mobile Facilities Provided by: Reeves Teletape Sound[] Supervising Sound Editors: Louis L

Still, I dont see this rod being a great fit for the average bass angler because its expensive and such a niche technique (big swimbaits, glidebaits, and Alabama rigs)
Should you choose the stretchy, forgiving nature of monofilament or the strength and slim profile of braided line
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